AI Deems Badminton Painting 85.7% Likely Authentic Caravaggio Original

AI analysis by Art Recognition has deemed a Badminton House painting, long considered a copy of Caravaggio's "The Lute Player," 85.7% likely authentic, potentially worth millions. Despite expert skepticism and calls for further tests, this highlights AI's growing role in art authentication, raising ethical questions about technology's impact on creativity.
AI Deems Badminton Painting 85.7% Likely Authentic Caravaggio Original
Written by Mike Johnson

In the ever-evolving intersection of technology and fine art, a remarkable breakthrough has emerged from the storied halls of Britain’s Badminton House. A painting long dismissed as a mere copy of Michelangelo Merisi da Caravaggio’s “The Lute Player” has been reevaluated through artificial intelligence, yielding an 85.7% probability that it is an authentic work by the 17th-century master. Sold at Sotheby’s in 2001 for just £71,000 and attributed to the “circle of Caravaggio,” the artwork’s potential authenticity could catapult its value into the millions, reshaping perceptions of art history and authentication methods.

The painting, depicting a young musician with a lute amid fruits and flowers, mirrors two known versions: one at the Wildenstein Collection in New York and another at the Hermitage Museum in St. Petersburg. Experts, including those at the Metropolitan Museum of Art, had previously deemed the Badminton version a derivative copy. However, a recent AI-driven analysis by the Swiss firm Art Recognition has upended this consensus, employing algorithms trained on Caravaggio’s brushstrokes, color palettes, and compositional techniques to detect hallmarks of his genius.

Unlocking Hidden Masterstrokes with Machine Learning

Art Recognition’s technology, which scrutinizes images at a pixel level, identified unique elements such as the rendering of light and shadow—quintessential to Caravaggio’s chiaroscuro style—that align closely with authenticated works. According to Carina Popovici, the firm’s CEO, the AI model was fed data from over 200 verified Caravaggio pieces, allowing it to discern subtle anomalies that human eyes might overlook. This isn’t the first time AI has intervened in art authentication; a 2017 study highlighted in MIT Technology Review demonstrated 100% accuracy in spotting forgeries of famous paintings by analyzing brushstroke patterns.

Yet, skepticism persists among traditional connoisseurs. Art historians argue that while AI excels at pattern recognition, it lacks the contextual nuance of provenance and historical records. For instance, the Badminton painting’s history traces back to the 18th century, but gaps in documentation fuel debate. A report from The Guardian details how the AI’s probabilistic output—85.7%—leaves room for doubt, prompting calls for further scientific tests like X-ray and infrared imaging to confirm pigment authenticity.

The Broader Implications for Art Authentication in the Digital Age

This case exemplifies a growing trend where AI is democratizing art verification, potentially disrupting the elite world of auction houses and museums. As noted in a New York Times feature on AI entering museums, the technology raises profound questions about human creativity versus machine analysis. Industry insiders point to similar instances, such as AI uncovering a hidden self-portrait in a Caravaggio work via multispectral reflectography, as shared in posts on X from users like WorldCapture.

Moreover, the U.S. Copyright Office’s 2025 report on AI and copyright, discussed in the Center for Art Law, underscores ethical concerns: if AI can authenticate, could it also generate convincing fakes? For now, the Badminton “Lute Player” stands as a testament to technology’s role in reviving lost masterpieces.

Navigating Skepticism and Future Horizons

Critics, including longtime experts profiled in ARTnews, remain wary, insisting that AI should complement, not replace, human expertise. Recent X posts from figures like Mario Nawfal highlight parallel discoveries, such as AI spotting anomalies in Raphael’s “Madonna della Rosa,” fueling excitement in art circles. As this story unfolds, with potential exhibitions and valuations on the horizon, it signals a pivotal shift: AI isn’t just analyzing art—it’s redefining its very essence, bridging centuries-old canvases with cutting-edge computation. This convergence promises to uncover more hidden gems, challenging the art world’s gatekeepers to adapt or risk obsolescence.

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