Pussycat Dolls’ Kimberly Wyatt Pregnant With Her First Child: A Baby Girl

Getting pregnant for the first time is a big deal. Newly married Kimberly Wyatt, a former Pussycat Doll, wanted a way to tell the world. What better way than with an interview and photo-shoot with Hel...
Pussycat Dolls’ Kimberly Wyatt Pregnant With Her First Child: A Baby Girl
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  • Getting pregnant for the first time is a big deal. Newly married Kimberly Wyatt, a former Pussycat Doll, wanted a way to tell the world. What better way than with an interview and photo-shoot with Hello! Magazine?

    Wyatt has known she was pregnant since her honeymoon in April with her husband, Max Rogers. They are expecting a baby girl, with a due date in December.

    Although the public was in the dark, Ashley Roberts, best friend and band-mate of Wyatt, has known for significantly longer. “Ashley knew straight away,” Wyatt told Hello!. “We are like sisters. Ashley knows everything about me, so she only looked at me and guessed right away. When I told her, it was so emotional – she was thrilled for us, which was lovely.”

    Roberts may have known, but Wyatt managed to conceal her pregnancy status through a nude photo shoot and her TV show, Got to Dance. “I feel like in the last day or two I have literally gone ‘pop’,” she said.

    With the pregnancy, it remains to be seen whether Wyatt would be interested in a reunion with her former band-mates. Nicole Scherzinger is trying to make it happen, and Roberts is already on board. “The Dolls hold a special place in my heart. Nobody can touch us. Hopefully we’ll get back together,” Scherzinger told the Daily Star.

    If a reunion were to happen, the group might have some competition from the satirical group, Frisky & Mannish, who did a cover of the Pussycat Dolls’ song, “Beep”. “The original song, like so much pop, is beyond ridiculous. The Pussycat Dolls censor their sexy lyrics throughout, replacing particularly naughty words with an electronic beep, but it hardly requires a stretch of one’s imagination to fill in the blanks,” Frisky & Mannish wrote in a piece for the Guardian, “The simple idea of amplifying the innuendo and fully embracing the end-of-pier sensibilities lurking beneath the twerking worked surprisingly well.”

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